I started this painting about fifteen years ago, then set it aside—one of those pieces that quietly waited for the right time. It’s based on a photo I took of Snow Patch Spire in the Bugaboos of British Columbia, captured from high on Bugaboo Spire. That day was extraordinary—clear light, vast peaks, and a sense of being suspended between earth and sky. It feels right to finally bring that moment to completion. I may crop the painting to focus more closely on the spire itself

Just finished—a realistic take on Half Dome in Yosemite Valley with the granite is catching the afternoon light just right. This face holds a special meaning in my soul, which is why I’ve spent so much time staying true to the place—its form, its light, its presence. Earlier in life, I lived on the 2,000-foot Northwest Face of Half Dome for two days. Slowly climbing it, always moving up hanging on little nothings. It was one of those rare trips where everything aligned: pe

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